Fall 2026 Palettes in Bullseye Glass, 1–3

Fall 2026 Palettes in Bullseye Glass, 1–3
FALL: a season that rolls in on a turn of the wind—orange, purple, dramatic, quietly luminous. Think of the crisp snap of pink-fleshed apples on a morning walk, the hushed mystery of an owl perched among silver shadows, the sudden explosion of aspen groves illuminating a mountain ridge against a deep navy sky. Rain-slicked slate, warm honey, and the rich depth of cracked wood.
Fall is not one thing. It is harvest and shadow, fiery canopy and quiet hearth, the wildly brilliant and the grounded earth. All aboard the Bullseye Express as we journey toward as-yet-unexplored castles of color! To begin, here are three curated palettes from Bullseye's catalog that capture the season’s rich, atmospheric soul. Explore them below.

Explore the Palettes
Fall 2026 - Palette One

Fall 2026 - Palette One

Fall 2026 - Palette Two

Fall 2026 - Palette Two

Fall 2026 - Palette Three

Fall 2026 - Palette Three

~ A Note on Striking Glasses ~

Striking Glasses are glass styles that may not reveal (or strike to) their target color until fired. For stained glass purposes, artists have several options:

  1. Striker styles can be pre-struck in a kiln. See the product use document below for more information.
  2. Some striker styles in their cold form are very near to the struck form. Hover over all styles to see examples of each glass in its cold state.
  3. To see which styles do not require heatwork, select "no" in the striker filter. Or, select "non-fusible" in the grade filter.
Image of the informational document Striking Sheet for Stained Glass and Mosaics. Shows sheet glass as a gradient from cold, unfired through a full fuse color transformation.
Download the Article

Fire Bullseye striker sheet glass to develop color for stained glass and mosaic works. There’s more than one way to go about it, with options for color, texture, and more. Choose a path—color awaits!

In factory production, color is evaluated after firing to a full fuse (1480 °F / 804 °C) with a sheet of clear to make a 6 mm thick tile. When firing asinglesheet, the same firing develops color and shrinks the footprint. It also may create a large bubbleunderneaththe sheet glass,unlessthe kiln is set up properly. Firing to lower temperatures also develops color and may be the right approach for your project. 

In this document you’ll find:

  • Firing schedules paired with fired
  • samples to show color development.
  • Kiln set-up instructions to avoid
  • a bubble under the glass.
  • Notes about when and how to fire
  • with a Gold Hold.
  • Images to show texture details
  • and dimensional changes.

Resources